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Both tracks put out so far by Ashnymph resist simple labeling: the band's own tag of the sound as “subconscioussion” provides few hints. Their initial track Saltspreader combined a jackhammer industrial beat – guitarist Will Wiffen has sometimes been seen on stage in a tee that bears the logo of the trailblazing band Godflesh – with vintage-sounding synthesisers and a guitar line that vaguely recalls the classic Stooges track I Wanna Be Your Dog, before transforming into a mass of eerie audio. The desired impact, the trio have suggested, was to evoke motorway travel, “the grinding circulation of vehicles 24-hours a day over vast spans … nighttime orange glows”.

The next release, Mr Invisible, occupies a space between club music and experimental rock. For one thing, the song's beat, multiple entrancing electronic parts, and vocals that arrive either hallucinogenically distorted or mesmerizingly repeated in a way that evokes Underworld's Dubnobasswithmyheadman period all indicate the club floor. Alternatively, its forceful live-sounding dynamics, brink-of-disorder feel and overdrive – “making everything sound crunchy is a long-term goal,” Wiffen has said – set it apart as clearly a group effort rather than a bedroom-bound producer. They've performed around the independent music circuit in south London for less than a year, “any venue that cranks the volume”.

But the two tracks are vibrant and distinct – mutually and other current music – to prompt questions about what Ashnymph might do next. Regardless of the form, on the basis of these two singles, it’s probably not dull.

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